Apple’s Backup software is a really handy way to incrementally back up selected data, whether to your iDisk or to an external hard drive.

Unfortunately, Apple just upgraded Backup to 3.2, and as it says in the dialogue box above, “Backup no longer supports backing up files and folders outside your home folder.”This is a total drag, as many of us, I’m sure, have used Backup to send data from all sorts of drives to all sorts of other ones. Until now.

I really like using Backup because you can select only the files you want to back up, rather than having to back up a whole drive/folder at a time. You can even get it to auto-find certain file types, such as Word documents or Garageband files. All very nice features for a piece of software which is bundled as part of MobileMe.

But why de-feature a product like this? Unfortunately, creating “a new plan” for me means using Carbon Copy Cloner instead. Another great reason to use MobileMe foiled!

With that in mind, I’ve decided to publish my own Logic 8 pkl file, with transport buttons and a few extras besides (including a handy toggle between screens 1 & 2 and, of course, Save). I hope some people might find it useful. Of course, this is optimized for use with the standard Logic key commands, so I am not responsible if you accidently delete everything!

The people at PowerKeys are promising us an editor for PowerKeys, and I’m sure they’ve their eye on the iPad too, so expect some new features! I, for one, am very much looking forward to running apps like PowerKeys on the iPad.

You can find the Logic 8 pkl file here. Just change the .txt to .pkl and drag it to your PowerKeys dock icon, and enjoy controlling Logic from across the room or house.

Of course you’ll need the latest version of PowerKeys OS X, currently at 1.2, and the latest version of the iPhone app too. Oh yeah, and you need wi-fi. And Logic Pro 7 and upwards. And an iPhone/Touch. And a Mac. You knew that, right?

Firstly, Microsoft finally ended the nightmare that was Vista, with the full release of Windows 7. The launch has been a resounding success, and undoubtedly, Windows 7 will usher in a new and successful era for Microsoft. Even self-confessed Mac fangirl Cali Lewis of geekbrief.tv admitted it’s a great operating system, much to the chagrin of some of her own fans. Those holding their breath since XP can finally upgrade to something they see as decent, and those on Vista can look forward to a faster, less cluttered and more satisfying user experience.

Meanwhile, Google just announced their new Google Maps Navigation software, which will give Android 2.0 phone users a turn-by-turn GPS navigation system. It includes voice activation, integration with Google’s StreetView (so you can see exactly what each turn looks like) and of course it leverages all the Google Maps and Google Search features we’ve come to know and love, so you can, as the blurb says, “search for ‘the Museum with the King Tut exhibit’”. Oh, and it’s free. TomTom and Garmin employees are probably already updating their CVs.

To top it off, Google also announced their new OneBox music search system, which allows users to find, preview and purchase music. Again, it leverages Google’s search technology. For example, you can type in a few lyrics of a song to find it, which is something I know many of us have been doing with Google for years (get with the programme iTunes!). Thanks to partnerships with MySpace, Rhapsody, Pandora and iLike , you can now listen to previews, and (this is the one record companies will love,) it will suggest various ways of purchasing the music. Unfortunately, this service is currently only available in the US.

We all knew Windows 7 was coming, but I’m sure it’s no coincidence that Google waited for this week to announce their two new services. Google Maps Navigation software will eventually become available for other phones, including the iPhone, but we’ve been here before with Microsoft. When a company develops an OS and a crucial piece of software (such as Microsoft Windows and Office), guess which OS gets preferential treatment? Great GPS software on a phone could be a dealbreaker for many users, and no-one is better placed than Google to do Sat Nav well, and you can bet the best experience of Google Maps Navigation will be on Google’s own OS. On the music side, an open system (as opposed to something closed like iTunes) will definitely attract users and creators alike. Google plans to make this service feel more like using Limewire than iTunes.

Meanwhile, Apple have reached a zenith of sorts: iPod penetration has reached a type of saturation point; their latest OS is basically a minor upgrade; and the initial euphoria of the iPhone is being replaced by a sort of “so what?” feeling, as other phone makers catch up.

Think about it: Apple’s ad campaigns (“I’m a Mac/I’m a PC”, “There’s an app for that”, and “10,000 songs”) will soon start to sound a bit lame against strong rival phone and handheld operating systems, and the might of Google’s search applied to music.

Of course, the great white hope for Apple is this mysterious “Tablet”. The Tablet may be Apple’s game-changer, revolutionising the world of publishing the way the iPod changed music forever. But now there’s no doubt that Apple needs to change the game, and soon.

This is a significant development for many companies, perhaps including Google, who have had their Google Voice app rejected recently, on the grounds that it altered the iPhone “user experience”. It will also be of interest to RealNetworks, who have pre-announced the Rhapsody iPhone App to try to force Apple’s hand into acceptance.

The pre-announcement strategy, also applied by Spotify (with YouTube videos and lots of press) may be working. Apple are feeling the pressure, not only from users, but more importantly, from the Federal Communications Commission (FCC), to be more open about their app acceptance policy.

Rumours have been floating around that Apple are planning a subscription based model for the next generation of iTunes software, which may be available as soon as September. Is it possible that Apple are just going to buy Spotify? After all, the iTunes engine was originally developed by Casady & Greene, and not Apple, and they are not shy of buying the right software when it suits them. Funnily enough, it’s Facebook and not Apple who have been allegedly courting Spotify, but the Apple/Spotify match seems like a no-brainer to me.

Oh yeah, and Snow Leopard’s available today too.

Logic Studio adds features like “flex time”; a much needed upgrade to its time manipulation abilities on the timeline, and better workflow tools to allow easier exporting and importing of settings and tracks between projects. Also included are some new features for guitarists like better amp and stompbox emulation, and a bunch of “how tos” modelled on the similar feature in the latest Garageband. None of the upgrades seem like “must-haves” to me, though the most tempting new additions are probably in the new MainStage, which now (finally!) has MIDI Out implementation, and the ability to include basic audio tracks and loops in your live setups; nice!

Final Cut Studio’s improvements also appear relatively minor, though the new ProRes codecs promise better quality at lower data rates. Motion 4 expands its 3D abilities with new shadows, reflections and depth of field. DVD Studio remains at version 4, and there are point five updates to Color and Compressor. Frankly, some of the upgrade highlights in Final Cut Pro itself, such as the ability to discuss your edit in realtime with iChat Theater, seem a bit like clutching at straws.

Overall, nothing earth-shattering has happened here, but the upgrades are reasonable and most will probably find an excuse to make the move soon enough for the price.

The entire entry is available here. Personally, I was amazed at how the whole thing reads a bit like a programming language, with Xs marking information which needs clarification, and lots of “(IF STOCK RISES)” caveats all over the place. Basically, when someone famous dies, an intern in Bloomberg fills out the publishing equivalent of an iTunes Smart Playlist, and hey presto! the obituary will hit the stands. Freaky, but true.